Local Talk: Interview with Local Artist Amy Putman

So excited to have you up at Local! Thank you for sharing your work with us. Tell us, your artistic approach all stems from your experience with your parents. What was it like to have parents that encouraged this direction?

Thank you for having me! I’m a huge fan of Local and so happy to be there.

My parents were a huge influence because they encouraged all things art.  From art lessons and books, to countless museum trips, art was valued and appreciated. My mom is a weaver and she would invite me into her loom-room to talk about design and analyze color. My dad’s interest was photography so he built a dark room in the basement and taught me how to process film and make prints. They also gave me honest, thoughtful feedback about my work which was important. I learned how to listen and figure out what was or wasn’t working.

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You have a strong sense of activism in your personal life working on such influential programs like the Million Mom March for Common Sense Gun Laws on the National Mall in Washington DC. How has this mindset worked its way into your art?

I’m motivated by issues of social justice and this past year has magnified the polarization and divisiveness in the United States and around the world. I’ve been working on a number of mixed media pieces on canvas called the “Fence Series” which grew from the debate about building walls. It’s a look at what we love and what we fear, through the perspective of the fences that divide us.

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Collage is a recent treatment for your work. It's candidly an area that is a bit of a juxtaposition for me as it seems extremely simple but on the other end - where do you start? So, where do you start and how do you know when it's done?

The process of creating a collage begins with the collection of images that will eventually be used to make it.  I have collected thousands of images in an ongoing, obsessive treasure hunt for whatever inspires me. When I’m not ripping up magazines I’m carefully cutting up the

images, creating puzzle pieces. Imagine having a puzzle box with thousands of pieces in it, but without a picture on the cover for guidance as you put it together.  I never plan what I’m making. It’s a spontaneous process which makes it fun as well as challenging. I always have several collages going at once because I won’t finish a collage until I find the perfect piece.  This can take days, weeks, or even months

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You have quite the busy schedule showing locally here in NJ as well as other states but then jump into Europe to show in such richly artistic centers like Berlin.  Do you find that your work is interpreted very differently by market?

There is a lot of international interest in collage.  To my surprise, Instagram opened doors with exciting opportunities. Through it, I was invited to show in Berlin and also featured in a beautiful book called, “Making the Cut | The World’s Best Collage Artists Vol 1” published in Australia.

 

What has living in NJ meant to your POV on art and the artistic community? 

There’s a large and wonderfully diverse community of artists here and those I have met have been incredibly supportive and inspiring. Montclair has so much to offer for people interested in the arts, including the Montclair Art Museum, the Yard School of Art, and Studio Montclair with its beautiful new space for art shows on Bloomfield Ave. I believe that when you put yourself out there great things can happen, but many of the great things that are happening are because there’s so much interest in the arts here.

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Please tell us about the work that you have up at Local?

This is a body of work that grew from my fascination with the surreal. I love the surprise element of the design process and how a collage reveals itself to me as I create it. I try to make art that engages the viewer so they keep looking and try to figure out what’s happening.

 

What's next? What are you working on presently?

I’m incredibly excited to be collaborating on a new series of mixed media pieces with an LA based internationally renowned photojournalist who focuses on human rights issues.

 

What’s your favorite coffee or tea beverage?

My favorite coffee is a latte especially when there’s a heart in the foam on top.

www.amyputman.com

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Local Talk: Interview with Local Artist Arlene Farenci

Arlene, we met about a year ago when we first opened Local and very happy that have been able to connect again. We spoke at that time about having your work at Local and now excited to share your work in our space. Why is meaningful for you to show your work in a non-gallery/ museum space? 

I think the exposure one gets at a coffee shop can even top a gallery. Lot’s of traffic. People can drink their coffee and look at art at the same time. 

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I’ve felt strongly about Abstract Expressionism for as long as I can remember. It works in two ways for me, first - i can get serious and look for a deeper message OR i can just sit back and appreciate the aesthetic beauty of it. How did you land in this space? 

I always loved gesture, even when I was painting representational work. I wanted to take away the objects and make the gestures the main image. There is really no deep meaning. I hope that the viewer finds them engaging and interesting.

 

I read on your site that you graduated with a Fine Art degree but moved into Graphic Design as a more practical path. There’s this struggle of should vs. must for all of us. I’m curious - without any of life’s obligations - what would you do differently with your fine art knowledge? 

In my wildest fantasy I am painting on very large canvases in a loft space, in Soho.

 

Tell us a bit about the work you have graciously shared with us at Local. What was the mindset you arrived at before and while creating this work? 

I work best when I don’t plan ahead. The Mokulito technique is fun because there are lots of possibilities. I usually start out with painting gestures or marks with a brush and see where it goes. I can print one plate or I can combine it with another one and even drill into the wood (ie, “This Way and That”) or I can add color ink directy to the plate  (ie, the large unframed “Untitled”) and treat it like a monoprint. 

 

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The concept behind Mokulito is somewhat perfection through the imperfect as wood can produce different images based on variables like materials, pressure, temperature and humidity. How did you come to discover and use this process in your work? 

An artist was giving a presentation at the Manhattan Graphics Center where I do my work. I was immediately attracted to her expressive style and later took a Mokulito class with her. I gravitate to that medium mostly because I like the textures that come from the wood. It is also not highly technical and I can work fast. 

 

Can you tell us about a project you are currently working on and the genesis of the work? 

I have a bunch of boards ready for me to sand down and start painting on. I have thought about using the drill to carve the edges of the wood plate, so it’s irregular and not smooth.

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Montclair, Glen Ridge, Bloomfield and the surrounding communities have a strong sense of art, culture and music. What is it about living in this area that is important to you as an artist and mom? 

It's a great place to raise a child. I made lots of friends through my son and we still remain close. I have to say, living close to the city is important to me as an artist. That’s where I am from and where I do my art. 

 

Tell us something about your craft that only you or a few people know. 

Mokulito can only be printed in one day. You cannot print the plate one day and again the next day. So it is quite an intense process, getting as many prints as I can in one session.

 

What is your favorite coffee or tea beverage? 

Iced Decaf Americana

 

http://www.thepaintedprint.com/

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Local Talk: Interview with featured artist Dawn Garrison

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We're excited to have your work at Local! We discovered each other as you have painted for some time but rarely publicly displayed your work. Why us, why now?

I am going to call this ‘where serendipity and opportunity crossed paths’. John Lennon is better known for his version but in 1957 Allen Saunders wrote ‘life is what happens to us while we are making other plans’. For me it is an apt description of the last 25 years. Long story short, after much prodding by several friends I began opening myself to opportunity and soon after met you. This sampling of my work at Local is one small step.

 

Which past or existing painters have had specific meaning for you, which have really stimulated your passion for this art?

I appreciate various artists and painters of many styles and most stimulate me on some level. I love impressionism but my natural tendency is realism. I am captivated by the works of Angus Wilson, R. Mike Nichols and Brienne M. Brown.

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Tell us about your subject matter. How do you choose where to focus your creative energy?

I could get lost in this question but if I allow myself I would write a novella so I’ll answer this in more recent context.

For quite a long time all I painted were landscapes and gardens, until one day I was done. Currently I paint animals. I have a great love for creatures so it makes sense they have been my focus. This last year and a half I have mostly been busy painting commissions; primarily dogs and that’s alright by me.

 

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Do you paint during a particular time of day? in a particular space?

I am so fortunate to have a dedicated space on the southeast side of our home. I am surrounded by natural light and an awesome view (when I look up – lol). Painting during the day works best for me.

 

There's a local Montclair element in one of your paintings. How did you come to live in the area and why is Montclair important to you?

I was born in Montclair and raised in the area and met my husband in high school. We have always felt family was important and wanted to stay close; plus this area has so much to offer no matter what your interests are.

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Of all of your work, is there a particular piece that has the most meaning for you?

I painted a self-portrait during a difficult time in my life. The style totally deviated from anything I had done before or since. I think a psychologist might have fun interpreting it today.

 

Tell us something about painting that very few or no one knows.

I can only speak for myself, but on occasion you have to remember to breathe.

 

What is your favorite coffee or tea beverage?

I do love a cup of herbal tea but when I first sat at your counter sipping a cup of drip coffee it transported me to cafes in Europe. Exceptional.

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